The martyr poet Faiq Muhammad Al-Ayyadi was born on May 5, 1948 in Kuwait City. His father was an employee in the Ministry of Social Affairs. Faiq Abdul Jalil is considered the owner of a modernist school of popular modernist poetry. He is an educated, innovative poet who writes with natural spontaneity and in a language similar to the language of water. His poems are characterized by the romantic revolution. His words have different and distinctive aesthetic features of poem and song in the Arabian Gulf region and created a new shift. Some of his poems were translated into French, taught at some universities, and several of his poems were published in the French newspaper Le Monde in the seventies of the twentieth century. Professor Simon Gargi, an orientalist and professor at the Faculty of Arts at the University of Geneva, wrote about him in the same French newspaper after he visited Kuwait in The sixties, where he said, “The determination not to break away from the ancient land, in whose veins the roots of poets’ nostalgia and emotions squirm, is most evident among the youngest Kuwaiti poets, Faiq Abdul Jalil, and its sincerity is most evident in his expressions, which are a mixture of colloquial and classical.” He also wrote children's poetry in the seventies, and those poems were published in (Saad Magazine), a Kuwaiti magazine for children. He was interested in children's theater and made several contributions to it. He was also the founder of the puppet theater in Kuwait, so the first experience ever in Kuwait was the play (Abu Zaid Batal). Al-Ruwaid), a play written and directed by (Ahmed Khulusi), was shown at the Shamiya Theater on August 20, 1974. He has been a member of the Kuwaiti Artists Association since 1966, and also a member of the Kuwaiti Theater 1967, in which he served as Vice Chairman of the Board of Directors for the period 1977. 1978, where he later became Chairman of the Board of Directors until the end of 1983. He wrote numerous articles in the Kuwaiti press in the sixties, seventies and eighties of the twentieth century, including a weekly column entitled ((A Summer Cloud)). He also wrote several national and social singing operettas, the most famous of which is the operetta “Poverty Mat” in 1980. It starred the artist Abdel Hussein Abdel Reda, who recited his poems. Great singers from various Arab countries, including Muhammad Abdo. His most famous songs were (Dimensions), which were translated into several languages, and were sung by several Arab and foreign singers. The poems of Faiq Abdul Jalil were also sung by several singers, including Talal Maddah, Abu Bakr Salem, Abdul Karim Abdul Qadir, Ebadi Al-Jawhar, and others. He represented Kuwait in Several Arab and international forums through cultural, literary and artistic evenings, seminars and festivals.
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Faiq Muhammad Ali Al-Ayyadi was born in Kuwait City on the fifth of May, the year forty-eight. Faiq lived the beginning of his life with his mother, a housewife, and his father, an employee at the Ministry of Social Affairs. Faiq was influenced by the personality of his uncle, God, who encouraged him to be curious and take an interest in culture, and she led.. Faiq chose A complex name in his literary, poetic and artistic career. Half of it was derived from his uncle’s name, and the name Faiq Abdul Jalil accompanied the sensitive poet until the last day of his life. Faiq Abdul Jalil lived his childhood while Kuwait was fascinated by its Arab life. He read books, magazines, and newspapers, and went with Rafaa to cinemas to watch Arab and international masterpieces. In his spare time, he painted pictures and wrote poems, until his personality began to take shape before he reached the age of twenty. . In his early days, Faiq was interested in reading trades of contemporary poets, such as Fadwa Hawaan, Nasi Al-Hajj, Nazik Al-Malaika, and Abdel-Baradouni. Faiq Abdul Jalil began his working life as an employee in the Kuwait Municipality, a job he continued until August of the year ninety. In the year sixty-nine, in July, Faiq married his life partner, Umm Fares, to begin a new phase in life.
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Faeq Abdul Jalil was active in many media, artistic and literary fields. This young man drew attention in his beginnings, and his name became echoed among intellectuals, writers and artists from the Gulf to the ocean. Faeq Abdel Jalil has written critical, social and artistic articles in many publications, including Adwaa Al-Kuwait magazine, Alam Al-Fan magazine, and Al-Rai Al-Aam newspaper Faiq Abdul Jalil is considered one of the active contributors to the theatrical movement in Kuwait, who believed that theater is part of the literary and cultural movement and its role in building the human being cannot be ignored intellectually. In the year sixty-seven AD, Faeq became a member of the Kuwaiti Artists Association and also a member of the Kuwaiti Survey Board of Directors, and then obtained the position of Vice President, before becoming Chairman of the Board of Directors of the Kuwaiti Theater in the year eighty-three. This man was credited with the theatrical movement in his country, and wrote many lyrical theatrical texts.
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In the year sixty-seven, Faeq Abdul Jalil issued a book entitled "Sumaya and the Sonbol of Childhood". This Diwan was a luxurious identification card presented by this poet to Kuwaiti society. Faeq wrote this poetry collection that chronicles ancient Kuwait, through poems that are not without the imprint of renewal. The fame of this book went beyond the Arab world to the French professor Simon Gargi, who wrote a critical article in the French newspaper Le Monde in the year sixty-nine, expressing his admiration for the style of poetry of Faiq Abdul Jalil. Some of Faeq's works and poems were translated by European publishing houses and newspapers and taught at the Faculty of Letters of the University of Geneva. The poet stopped after Diwan and Somaya and Sanabel childhood to issue any poetry collection and silent poems of twelve years. Faiq was present in the sky of song, theater and television work through his lyrics and in the year seventy-nine came Diwan predecessor silence to explain that long silence and tried through the Diwan to bring the colloquial to the lose. Faiq Abdul Jalil was concerned about the state of the Arabic nation, and addressed its setbacks through his articles, musicals and poems. He believed that the Arabs belonged to one homeland and a common destiny.
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In the year eighty-four, Faiq Abdul Jalil issued a book entitled "The Surgeon's Dictionary" (which includes poems he wrote in Arabic standard language describing the state of the Arab world and the political, economic and social suffering of its population. Faeq proved through (Surgeon's Dictionary) that he thinks outside the framework, when he dealt with Arabic issues with poems that find what politicians did not find at the time, he was a thinker who puts his hand on the wound, and provides him with treatment. The production of Faeq Abdul Jalil became a witness to the bright era that Kuwait was living at that time. In the same year, he issued the Diwan of birds' love, which confirmed through his ability to tame the language and enrich the phrase with a unique poetic content. The late summarized the reader's house and content with words through the selection of words The fame of Faeq Abdul Jalil began in the field of the poem sung in the year sixty-four, when Ghreed Al-Shati sang a poem written by the late for the month of Ramadan and broadcast by Radio Kuwait before singing from his lyrics Aisha Al-Marta rich (Ya Sari) in the year seventy-two wrote Faiq song (with the wind of passion traveler) sung by Abdul Mohsen Al-Muhanna. Then the song (Ghaly) by the artist Faisal Abdullah and Aghina Yam M Lee Safar Sal Al-Kuwait (by the artist Laila Abdul Aziz and during the seventies, Katt Faiq Abdul Jalil Ghaina "Abaad" composed by the Kuwaiti composer Yusuf Al-Muhanna and sung by the Saudi dowry Mohamed Abdo.. It was hearing haha a song in any place that suggests to the listener the atmosphere of the Gulf in general without discrimination.. It was a unified anthem for the people of the Gulf countries.. It was translated into several foreign languages and sung by many smugglers in the world.
